François-René Duchable

Saint-Saëns: Études, Op. 52 & 111

6 Études, Op. 52: No. 1, Prélude

6 Études, Op. 52: No. 2, Étude pour l'indépendance des doigts

6 Études, Op. 52: No. 3, Prélude et fugue en fa mineur

6 Études, Op. 52: No. 4, Étude de rythme

6 Études, Op. 52: No. 5, Prélude et fugue en la majeur

6 Études, Op. 52: No. 6, Étude en forme de valse

Valse mignonne, Op. 104

Valse gaie, Op. 139

6 Études, Op. 111: No. 1, Tierces majeures et mineures

6 Études, Op. 111: No. 2, Traits chromatiques

6 Études, Op. 111: No. 3, Prélude et Fugue

6 Études, Op. 111: No. 4, Les cloches de Las Palmas

6 Études, Op. 111: No. 5, Tierces majeures chromatiques

6 Études, Op. 111: No. 6, Toccata d'après le cinquième concerto

Allegro appassionato, Op. 70

Mazurka No. 3 in B Minor, Op. 66

Paul-Marie Verlaine

Sophie Marin-Degor

Jean-Sébastien Bou

Bordes: Mélodies - Oeuvres pour piano

Chopin Polonaises

Liszt : Piano works

Orchestre National Du Capitole De Toulouse

Michel Plasson

Ravel Concertos pour piano

Paul Meyer

Gérard Caussé

長野健

Bruch : Works for Clarinet & Viola  -  Apex

Brahms : Clarinet Sonatas & Weber : Grand duo concertant

This reissue of classic 1969-1970 recordings offers indisputable proof that Arrau is one of the greatest Lisztians of them all. The centerpiece is his grandly rhetorical view of the B Minor Sonata, where his huge, bronze-tinged tone, echt-Romantic phrasing, and searching philosophizing take us where few pianists can, or dare, go. Arrau's spiritual quest matches Liszt's in a work that's often played as a series of virtuoso effects. Virtuosity is here in spades, but it's in the service of the music's meaning. The same applies to the rest of the program. Bénédiction de Dieu dans la solitude often comes off as dull and overlong, but Arrau has you hanging on every phrase, so full of meaning does he make it. Vallée d'Obermann becomes a fascinating exploration of keyboard color and narrative tension, and the two etudes are invested with an unsurpassed abundance of tonal color and meaningful phrasing. Liszt recitals don't come any better than this.


Liszt : Piano Sonata, 2 Légendes & Bénédiction de Dieu dans la solitude

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Saint-Saëns: Études, Op. 52 & 111

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